nel nome di minerva

Qui il link all'articolo di Umberto Eco sulla questione università, apparso su il manifesto del 19 dicembre 2008 (quello a 50 euro, quello dell'independence day). Eco fornisce una prospettiva che chiarisce diverse questioni che sono state al centro del recente dibattito, queale per esempio l'importanza di tenere in piedi un corso con un solo alunno.

come on over

Come On Over (2007) is the first piece of lamb|da, “an outlet for the dance/poetry performance work of Clare Thurman and Nathan Thomas” (lamb|da website). Clare is a dancer and choreographer, while Nathan is a poet. They worked together at this piece for about ten weeks. Nathan would bring his poems and they would talk about them. Then Clare would bring other material and this would inspire Nathan. The piece has no music, the rhythm is given by the sound of Nathan’s voice while he utters his poems and by silence. There are five sections, each represented by one of Nathan’s poems. The stage is initially characterised by a square made of pages, Clare walks on them throughout the perimeter of the square, then Nathan comes in with a chair that he places in a corner. He sits there and starts reading aloud while Clare starts dancing.

According to Edward Nye poetry and dance are connected by their shared focus on dynamism: “poetry is understood necessarily to be in motion, or else it ceases to be poetry” (Nye, 2005: 108). Nathan and Clare worked on the idea of boundaries and on their need to cross them. They talked about the word ‘boundary’ itself, its emotional and physical resonance. Come On Over, in this respect, is a stimulating result.

In several bits Clare’s movements recall the idea of boundaries, for example in the first section when she places her arms in second position and stands in releve for a few seconds. She looks as if she were about to lose her balance (clik here to see a photo and here to see a video extract). Or, in the third section, when she stands on the chair centre-stage and then slowly rotates with one leg bent and the other straight out in the space. During these second set of movements, Nathan says:

stuck in this circle

called self, this circle

called home

why does she feel

homeless

and outside of this circle

is another circle

and beyond that, another

and another and another

planes of orbit

round a star starved of hydrogen

As these lines show, his poems also reflect the dynamism given by the idea of boundaries with the repetition of the significant word ‘another’ and with a lay-out which seems to be contributing to the choreographic process. Furthermore, after each section the stage is silently altered as Nathan and Clare take turns in removing the pages that marked the square, another boundary to be erased and dissolved. Nathan also tears to pieces some of these pages. In the end, Clare once again opens her arms in second position, a welcoming gesture, a gesture that, in a way, embody the title of the piece. Nathan walks towards her and lets the torn pages fall on her.

piove sul nostro amore

Ho da poco terminato di leggere l'ultimo libro di Silvia Ballestra, Piove sul nostro amore - una storia di donne, medici, aborti, predicatori e apprendisti stregoni (2008), un testo interessante, godibile nella scrittura e a volte anche pieno di ironia. Un libro che fa un po' il punto sulla questione aborto e sugli interessi, pressioni e violenze che si stanno ancora oggi facendo sul corpo delle donne. Qui un articolo su di una presentazione che l'autrice ha fatto a San Benedetto del Tronto nelle Marche.

thinking of giving up?

have a beer
I don't drink alcohol
have a coffee
I don't drink caffeine
have some milk
I don't drink milk
what then? dance? write?
maybe
dance or write?
both
!?

rughe (1)

fuori norma

Questo il titolo della bella recensione del libro Fuori della norma. Storie lesbiche nell'Italia della pirma metà del Novecento, di Nerina Milletti e Luisa Passerini, fatta da Alessia Muroni sul numero 137 di Leggere Donna (attualmente in vendita). Riporto l'inizio:

"Il silenzio. Un silenzio che copre le storie, le loro, e nel cancellarle nasconde un po' anche le nostre. Desiderio di visibilità lesbica, che non è petulante affermazione di sé ma legittima necessità di tracciare linee avanti e indietro nel tempo di ognuna, nella storia, linee che come rami di un grande, maestoso albero, collochino le storie, di loro, ma anche di noi, in un tessuto, in un organismo, vivo, forte, con salde radici e una miriade di foglie, fiori e frutti, che sono ancora, e per sempre, le loro e le nostre storie e quelle che verranno."

appello Leggere Donna

back series (3)

"What tree on your back?"

[...]

"Whitegirl. That's what she called it. I've never seen it and never will. But that's what she said it looked like. A chokecherry tree. Trunk, branches, and even leaves. Tiny little chokecherry leaves. But that was eighteen years ago. Could have cherries too now for all I know."

Toni Morrison, Beloved (1987)